Nate from Lowell available on Youtube

Nate From Lowell 07

Nate Hun born in Lowell, MA began collecting and preserving prewar Cambodian popular music in his childhood, becoming an expert on Cambodian rock as a collector of records, tapes, and other memorabilia.

Directed by LinDa Saphan

Cinematography by John Pirozzi

Edited by Edmund Carson

Click here for the Youtube link

Nate From Lowell - small

DTIF at The Kennedy Center

It’s so thrilling to hear Cambodian singers at the Kennedy Center, I feel they have been rightfully acknowledged.

It is with great honor that I stand here with the film’s director, John Pirozzi, to present our film and help kick off the re-opening of the Millenium Stage Summer at the REACH organized by Samasama and the Kennedy Center. We’d like to thank the entire Kennedy Center team and Seda Nak and Les Talusan from Samasama for making it happen. Don’t Think I’ve Forgotten itself is a celebration of the universal power of music and its ability to transcend borders and speak to so many people despite their cultural differences. As it happens Cambodian popular musicians were particularly adept at synthesizing many different styles of music from all over the world and creating music that you may find familiar yet unique at the same time. The film is a celebration of Cambodian musical creativity and the music’s resiliency.  

kennedy center

The Golden Age of Cambodian Popular Music Book Chapter

Popular and Political Songwriting in Cambodia: From Sihanouk’s Prewar Golden Age to Pol Pot’s Khmer Rouge By LinDa Saphan and Nate Hun

Hun, N., Kim, M., Lee, Y., Nelson, R., Oum, R. O., & Saphan, L.,(2021), The Golden Age of Cambodian Popular Music, Kim, M.(Ed.), Seoul: Hyunsilbook

김미정, 로저 넬슨, 린다 사판, 움 로따낙 오돔, 이용우, 네이트 훈, (2021), 캄보디아 대중음악의 황금시대, 김미정(엮), 서울: 현실문화

Abstract

Music has been prominent in daily life in Cambodia since ancient times. Following centuries of political turmoil and warfare, Cambodia experienced a brief period of peace, prosperity, and modernization under King Norodom Sihanouk in the 1950s and 1960s, leading to a flourishing of music in the form of romantic songs followed by the arrival of a Western/Cambodian mix of rock and roll. Ultimately the majority of modern musicians were killed by the Khmer Rouge for their “antirevolutionary” music. Since gaining independence from France in 1953, Cambodia has experienced a series of rapid political regime changes, each characterized by authoritarianism. Each regime, from Sihanouk to Lon Nol, the Khmer Rouge, and Hun Sen, used music for political purposes. This chapter examines the lyrics of popular and political Cambodian songs from the prewar era to the Khmer Rouge (1953–1979), to understand how music both reflected and shaped changing sociopolitical currents. Keywords: Songwriters, composers, Cambodia, popular music.

For more information click here

LinDa with Book

THE STREET VENDORS WHO MAKE CHRISTMAS FOR NEW YORK CITY

christmas-tree-vendors-new-york-city

Essay by LinDa Saphan and Kevin Cabrera

New York City has borne more than its fair share of trauma in the last 20 years. But traumas like the September 11, 2001, attack on the World Trade Center and the COVID-19 pandemic in 2020 have revealed both the city’s toughness and its sociable, almost small-town side—exemplified in the Christmas tree subculture that is as much a part of holidays in New York as adorned shop windows on Fifth Avenue. Like Christmas, the vendors come every year. And in this pandemic year, particularly, they remain essential hubs of safe community contact, counteracting forced isolation. Since the end of the first COVID-19 wave, New York has been reinventing itself in creative ways—for instance, in the way it has created beautiful outdoor dining settings. The annual ritual of welcoming tree vendors, buying a tree, and carting it home in the cold should buck up New Yorkers as they celebrate the symbols—and substance—of their survivorship and goodwill.

To read the full essay

Memory, History & Documentary Filmmaking

Cambodian Town Film Festival

September 17, 2020

Featured Guests: Davy Chou, LinDa Saphan, Arestia Rosenberg Host: Kathryn Lejeune

http://cambodiatownfilmfestival.com/events.php

Barcelona Planet Film Festival, Spain

Barcelona Friends, mark your agenda March 4th 2017 you can watch Nate From Lowell, MA directed by LinDa Saphan.

"The festival hopes to be the voice and representation for films with a unique voice and message, regardless of how low the budget might be.

Each month film industry specialists watch and vote for The Best of The Festival in each category. Aiming to inspire, motivate and award new talent."

We have been selected for Best Documentary Short. We are so excited! Barcelona Planet Film Festival Logo

Busan International Asian Film Festival 2016

BIAFF has selected Nate From Lowell, MA by LinDa Saphan to be part of their upcoming 2016 BIAFF. Opening ceremonies begin December 22th at Bexco Center 211 ho, and close on the 23th at the Cinema Center Busan. OFFICIALSELECTION-BusanInternationalArtFilmFestival-Documentary2016Nate From Lowell - small

DTIF Cambodian Provincial Tour of the Film

Don’t Think I’ve Forgotten: Cambodia Lost Rock and Roll had it world premiere in Phnom Penh in 2014. Since then the film opened in many other countries. The film was screened in many cities with a Cambodian communities from Paris (France), to Long Beach and Lowell in USA and Montreal in Canada among many others.

It is important to bring the film to the Cambodian people in the provinces- in the villages. Bayon Band – Samley Hong – once brought rock and roll on an oxcart in the village back in the 1960s, the film will have the same spirit.

The aim of the project is to bring the film to seven provincial towns for the people to have an opportunity to come together and celebrate its musical history, share their memories of the pre-war era, and commemorate the country talents.

Filmmaker and producer John Pirozzi and the head researcher, sociologist Dr LinDa Saphan will hold a Q&A after each screening, the audience will have first hand experience regarding the motivation, research process and behind the scene stories.

DTIF TOUR CALENDER POSTER

Nate from Lowell, MA

Nate from Lowell, MA. 7:07, Released July 2016. "About the importance of archiving memory through the lens of a record collector who preserved Cambodian popular music history."

Nate From Lowell - small

In Cambodia, popular music has yet to be recognized as a part of cultural heritage. There are no institutions that preserve, archive, and research lost and hidden popular music.

An entire generation of musicians died along with an estimate 2 million people in the genocide committed by the Khmer Rouge from 1975-1979.

Nate Hun born in Lowell, MA began collecting and preserving prewar Cambodian popular music in his childhood, becoming an expert on Cambodian rock as a collector of records, tapes, and other memorabilia.

This short film is about Nate who is at the heart of preservation of Cambodian popular music.

Nate From Lowell 01Nate From Lowell 02Nate From Lowell 10Nate From Lowell 03Nate From Lowell 09Nate From Lowell 04  Nate From Lowell 06Nate From Lowell 07Nate From Lowell 08  Nate From Lowell 05

Film by LinDa Saphan

Cinematography by John Pirozzi

Edited by Edmund Carson

Starring: Nate Hun and Samoeun Hun

ART ASIA PACIFIC REVIEW OF INTERLACE

INTERLACE: THREE ARTISTS IN THE CAMBODIAN DIASPORA

"Almost 40 years after the Khmer Rouge regime devastated Cambodian cultural production, artists are uncovering their own growth that formed out of the bloodshed. The genocide, which affected how Cambodians articulate their culture, perpetuated a mass exodus of over one million people who scattered across the globe to the United States, Canada, Australia and Europe. Caught between identifying their sense of belonging in two (or more) different countries, Cambodian refugees that fled the genocide have experienced various moments of displacement, abandonment and cultural hybridity. InCube Arts Space’s “INTERLACE,” curated by Loredana Pazzini-Paracciani, features three artists who weave into their work their personal life stories of growing up outside their homeland, as well as the challenges they faced while assimilating within a society that either ignored or misconstrued their native culture. Feeling stateless after fleeing their homeland, these artists have articulated and defined their own space through their artwork. They create their own metaphorical maps, illuminated with new shapes and border demarcations, through mixed media and performance art that reference childhood memories and practices that have remained throughout their upbringing abroad."